Jay Maisel: verschil tussen versies
Uit Bhof
Geen bewerkingssamenvatting |
Geen bewerkingssamenvatting |
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| (Een tussenliggende versie door dezelfde gebruiker niet weergegeven) | |||
| Regel 4: | Regel 4: | ||
* ''One camera, one lens'' | * ''One camera, one lens'' | ||
* Nikon D3s (full-frame) | * Nikon D3s (full-frame) | ||
* 28-300mm (often in the 150-300 range) | * 28-300mm (often in the 150-300 range) (Nikkor AF-S 28-300mm ƒ/3.5-5.6G ED VR) | ||
* 1600 ISO | * 1600 ISO | ||
* Bracket -1, 0, +1 (ALWAYS) | * Bracket -1, 0, +1 (ALWAYS) | ||
| Regel 13: | Regel 13: | ||
* No retouching, no after capture cropping | * No retouching, no after capture cropping | ||
bron: [https://inancy.wordpress.com/2012/05/29/how-jay-shoots-telephoto-eyes-the-see-in-color/ inancyimages.com] | bron: [https://inancy.wordpress.com/2012/05/29/how-jay-shoots-telephoto-eyes-the-see-in-color/ inancyimages.com] | ||
[[Quotes van Jay Maisel]] | |||
Huidige versie van 17 mei 2026 om 11:16
How Jay shoots:
- One camera, one lens
- Nikon D3s (full-frame)
- 28-300mm (often in the 150-300 range) (Nikkor AF-S 28-300mm ƒ/3.5-5.6G ED VR)
- 1600 ISO
- Bracket -1, 0, +1 (ALWAYS)
- RAW + jpeg
- Sets his in-camera jpeg settings to Vivid and highest sharpness
- Picks his best images and preferred exposure as the reference image for his assistant to match in print
- Reviews images as 12×18 inches printed in house on a big Epson printer on Epson Luster paper
- No retouching, no after capture cropping
bron: inancyimages.com
